RESIDENCIESARTICLES

AIR and Me
Part 2: Sapporo as art studio—since “Ripple Across the Water ’95”
By Shibata Hisashi

The globalization of contemporary art and artist-in-residence programs
Part 3: The globalization of contemporary art, and cultural democracy – ii
By Kanno Sachiko

AIR and Me
Part 1: Sapporo as art studio—since “Ripple Across the Water ’95”
By Shibata Hisashi

The globalization of contemporary art, and the artist-in-residence programs
Part 2: The globalization of contemporary art, and cultural democracy – i.
By Kanno Sachiko

The globalization of contemporary art and artist-in-residence programs
Part 1: The origins of artist-in-residence programs—Villa Kujoyama and Villa Medici
By Kanno Sachiko

What is AIR (Artist-in-Residence)? (5): the last
Residency network (2)—Putting Y-AIR into practice and the start of an international network
By Murata Tatsuhiko

What is AIR (Artist-in-Residence)? (4):
Residency network (1)—the discovery of microresidencies
By Murata Tatsuhiko

What is AIR (Artist-in-Residence)? (3):
50 years of Youkobo, 30 years of residency activities, and the Fujino annex
By Murata Tatsuhiko

AiR Report
Everything is in transition – in memory’s ephemerality
By Toda Itsuki

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