#culture #opinion #art Op-ed columnOn the removal of Okazaki Kenjiro’s work from Faret TachikawaText by Fukunaga Shin 2022.11.01
#photography #article #art Studio Visit 01Fujimoto Yukio: Think with the Senses, Feel with the MindText by Isabelle Olivier, photographs by Foster Mickley 2022.10.25
#photography #exhibition #art #review Cultural Currency 5: Wolfgang Tillmans at MoMAWhere do we come from? What are we? Where are we going?By Shimizu Minoru 2022.09.26
#performance #art #dance #review Cultural Currency 4: Dimitris Papaioannou Transverse Orientation at ROHM Theatre KyotoPapaioannou, a transversal tamerText: Shimizu Minoru 2022.08.29
#gallery #exhibition #museum #exhibition #museum #art #review Cultural Currency 3: Tsujimura Shiro exhibitionsTsujimura Shiro, Acting potteryText: Shimizu Minoru 2022.07.26
#exhibition #museum #art #review Cultural Currency 2: Kaneuji Teppei “S.F. (Something Falling/Floating)”Non-primary structure and its monotonyBy Shimizu Minoru 2022.07.01
#photography #exhibition #museum #art #review Cultural Currency 1: Hirofumi Isoya “Find Your Verb”Subverting the “here and now” – The collages of Isoya HirofumiBy Shimizu Minoru 2022.05.22
#performance #art #music #review ReviewReview of the public experiment “GEIST – Development of automatic musical instruments, input-output devices, and compositional/performance methods, with a view to creating a ‘multidimensional acoustic space'”By Miwa Masahiro 2022.04.12