#performance #art #dance #review Cultural Currency 29: Damien Jalet / Nawa Kohei: Mirage [transitory]Life and death, symmetry breakingBy Shimizu Minoru 2024.11.05
#performance #art #dance #review Cultural Currency 4: Dimitris Papaioannou Transverse Orientation at ROHM Theatre KyotoPapaioannou, a transversal tamerText: Shimizu Minoru 2022.08.29
#performance #dance #music #review Review: Otomo Yoshihide and Tanaka Min: For Those Proud to Be Born on This Planet—Improvisation!! @ THEATRE E9 KYOTOTanaka Min and Otomo Yoshihide’s “Waiting for Godot – Day 3”By Ozaki Tetsuya 2022.08.03
#performance #art #music #review ReviewReview of the public experiment “GEIST – Development of automatic musical instruments, input-output devices, and compositional/performance methods, with a view to creating a ‘multidimensional acoustic space'”By Miwa Masahiro 2022.04.12
#performance #art #dance #review ReviewThe art and dynamic power of unending back-and-forth: Morimura Yasumasa’s Ningyo JoruriBy Yanagi Miwa 2022.04.05
#opinion #culture #article #exhibition #museum #performance #art #dance OpinionThe Kyoto bankruptcy crisis and the artsBy Ozaki Tetsuya 2021.11.02
#performance #art #dance #music #review ReviewMoriyama Mirai Re: IncarnationBy Ozaki Tetsuya 2021.04.26
#screening #performance #art #dance #music #review ReviewScreening of new Dumb Type performance 2020By Aoki Jun 2021.02.26