#performance #art #dance #review Cultural Currency 4: Dimitris Papaioannou Transverse Orientation at ROHM Theatre KyotoPapaioannou, a transversal tamerText: Shimizu Minoru 2022.08.29
#performance #dance #music #review Review: Otomo Yoshihide and Tanaka Min: For Those Proud to Be Born on This Planet—Improvisation!! @ THEATRE E9 KYOTOTanaka Min and Otomo Yoshihide’s “Waiting for Godot – Day 3”By Ozaki Tetsuya 2022.08.03
#gallery #exhibition #museum #exhibition #museum #art #review Cultural Currency 3: Tsujimura Shiro exhibitionsTsujimura Shiro, Acting potteryText: Shimizu Minoru 2022.07.26
#exhibition #museum #art #review Cultural Currency 2: Kaneuji Teppei “S.F. (Something Falling/Floating)”Non-primary structure and its monotonyBy Shimizu Minoru 2022.07.01
#photography #exhibition #museum #art #review Cultural Currency 1: Hirofumi Isoya “Find Your Verb”Subverting the “here and now” – The collages of Isoya HirofumiBy Shimizu Minoru 2022.05.22
#performance #art #music #review ReviewReview of the public experiment “GEIST – Development of automatic musical instruments, input-output devices, and compositional/performance methods, with a view to creating a ‘multidimensional acoustic space'”By Miwa Masahiro 2022.04.12
#performance #art #dance #review ReviewThe art and dynamic power of unending back-and-forth: Morimura Yasumasa’s Ningyo JoruriBy Yanagi Miwa 2022.04.05
#movie #review #review ReviewCHAIN: A recasting of historical drama as contemporaryBy Narumi Hiroshi 2022.03.14